Plaza Kvinna – the swedish fashion/lifestyle magazine writes about the NYC show – blog by the wonderful Emelie Ehn
http://plazakvinna.com/blog/default.aspx?blogcategory=emelie_ny_blogg&mSelected=78
Exhibiting Swedish artist, paintings and drawings
Plaza Kvinna – the swedish fashion/lifestyle magazine writes about the NYC show – blog by the wonderful Emelie Ehn
http://plazakvinna.com/blog/default.aspx?blogcategory=emelie_ny_blogg&mSelected=78
My artist book Darkness Visible is now for sale at Moderna Museet and Konst-ig book stores in Stockholm.
See links for addresses, opening hours, info and websites:
http://www.modernamuseet.se/sv/Stockholm/Besoka-museet/Butiken/
Pleas click linkn for all images from the finissage and opening on the 9th of February at Charles Bank Gallery, NYC.
http://bestplaces.nydailynews.com/stories/inside-prop-shop-behind-boardwalk-empire-and-30-rock
Tonight, Thursday 9th of February is the last night for RETROspect at Charles Bank Gallery in NYC. The show ends with a Finissage with artist Pär Strömberg present. Simultaniously is the opening of young artist Garret Pruter’s first solo in the gallery’s basement space.
See link for more info:
Karmaloop TV presents an interview with Pär Strömberg from the WeSC pre-view at Charles Bank Gallery – clink link for new window and video interview:
http://www.karmalooptv.com/2012/01/ktv-wesc-present-painting-mindscapes-w-par-stromberg
Charles Bank Gallery is proud to present RETROspect, a pairing of staff selected contemporary artworks with examples of exquisitely painted nineteenth-century woodworking from the collection of Elliott and Grace Snyder. The contemporary collection includes work by Allen Grubesic, Adam Henry, Barnaby Hosking, Eske Kath, Kim Keever, Ryan James MacFarland, Kasper Sonne, and Pär Strömberg.
Elliott and Grace Snyder have been full-time antiques dealers since 1970, and currently exhibit in the most important antiques shows in this country, including the Winter Antiques Show in New York. They are also founding members of the Antiques Dealers’ Association of America, a trade organization dedicated to encouraging the maintenance of high ethical standards in the business of buying and selling antiques.
The Snyders specialize in 17th, 18th, and early 19th century American furniture and decorative arts with an emphasis on textiles, painted and/or decorated furniture in original condition, and folk art. Their interest has always been in ‘country’ interpretations of formal designs in which craftsmen were freer to improvise on prevailing structures. The Snyders always seek out pieces that successfully embody individual imagination.
The six antiques from the Snyder collection were specifically chosen for their hand-painted surfaces that resemble abstract paintings from a more recent period in Art History. As a result, the juxtaposition of these pieces with artworks from the Charles Bank Gallery program offers viewers a fresh perspective on both collections.
Seeing his work in February 2011 at the exhibition in Haarlem at Galerie 37, a gallery for contemporary art, was a mystifying experience. Painted with such a passion that it can only take you straight into his work. The use of only black, white and grey tints bringing you into a world that you can’t see but you know is there. Like taking a journey in time through frozen fields, deep forests, caves, uprooted trees and starless nights with full moons. Symbolism is important part of his work. Crows as an omen of death, wandering between past, present and future. The symbolism refer
Pär about his work: During the past 12 years, since my graduation at the Rietveld Academy in Amsterdam, the themes and the narrative in my work revolved around folklore, nature mysticism, dream/nightmare scenarios and of human wonder and smallness before a grand nature. The motifs are mostly from the geographic areas around my home state Örebro in Sweden. My grandmother’s father was at one time forester and worked in southern Bergslagen and Kilsbergen among places like Fasaskogen, Jätteberget and the mysterious lake Tunntappen. Places that I’ve heard about in stories and legends, places that are my origin and which formed the basis of myth in my work and who arouses a certain exoticism in my pictures when I usually exhibit at the international art scene.
For me it is not only important that people see my work and appreciate it… it is also about the craftsmanship that is significant to me. As a painter and teacher I want to deliver not only the painting it self but also work what is by quality on a high level of craftsmanship… My work is like a story, a narrative, it has to last for ever.
About his inspiration: For me inspiration comes not only from the wild nature but often found in art history, music and literature in which sounds and texts brings images. Just to mention a few, Carl Fredrik Hill in the question of form and that of August Strindberg in color. Energy and the austere symbolism I find the Black Metal music and the narrative and rigor in texts by Tomas Tranströmer and Dan Anderson. There is even a flirtation with national romanticism in the big bombastic works but that side is often toned down in the smaller formats which shows a more poetically beautiful and evocative atmosphere.
About his upcoming exhibition at Charles Bank Gallery in New York:
I find, despite the post-apocalyptic mood of the painting lies a certain reassuring calm of the atmosphere, something that emerges through the many layers of paint, the clear distinctive technology and the austere temperament in the colouring. The characteristics of the oil paintings are a kind of layering techniques much like watercolour painting with thin layers of transparent colour and chunks of running structures.The often large canvases invite you to a physical participation, while the smaller formats are more intimate and mixed up with the inner landscape of an external collective memory of the forces of nature.
He laughs and says; “I love doing what I do, and it have taking me 10 years to get me where I’m now. I hope and being real hard working on this travel to grow and extend my work in the next following years. Also working for my self has made me not only a artist but a Pr and marketeer as well. And I like the two parts of this work. When I’m painting it’s like another world, so there is a balance for me in combining those two, and like to explore this more in the future to accommodate my work more international.”
More information about Pär Strömberg you could find on his website: www.parstromberg.se and Facebookpage

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